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‘OS Thyagarajan molested me’: Carnatic singer’s former student speaks out

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Me Too
On the last day of her classes with him, the young singer alleges that OS Thyagarajan molested her, and later emailed her persistently even after she went back abroad.
Anupama* was 20 years old when she went to renowned musician OS Thyagarajan for classes. This was four years ago, she says, when she lived abroad and was visiting India for a break sometime in July. Her love for Carnatic music took her to the home of one of the most renowned artists in the field, a sabha favourite, a regular in concerts arranged in foreign countries, guru to several star singers who are active in the music scene today. And on the last day of her classes with him, the young singer alleges that OS Thyagarajan molested her, and later emailed her persistently even after she went back abroad. Speaking to TNM, the young woman is careful to stress on what she was wearing when she met OS Thyagarajan during her classes. "I mostly dressed in salwars," she says at least twice in the conversation, though the question is never asked. It's a detail women world-over include in their testimonies about sexual violence because they anticipate the victim-blaming that inevitably follows. The reason the #MeToo movement has exploded in India, after a stormy beginning in October 2017."He is a senior vocalist and a senior member of the fraternity," Anupama begins, "I think in a lot of ways, their age and power trumps over their conduct. I got in touch with him through some random avenues, trying to get a concert opportunity somewhere and he happened to be the one picking up the phone and he said something like..you know...email me a recording or something. And I was looking for a teacher at that time. I sent him the recording and a day later he responded saying 'Such a good voice!' and whatever." Anupama says she was flattered to hear this from a senior member of the fraternity. She hadn't interacted much with professional musicians before this.  "I immediately got very excited, told my parents. He said why don't you meet me for class. There was nothing to question at that time. So I said fine, I went to his house with a relative first," she says. The young woman went to OS Thyagarajan's house in West Mambalam, Chennai, with her cousin's husband, taking fruits and other items as per tradition for the first day of class."I remember – and this was a trend all through – his wife was never present during the classes. She was always restricted to the kitchen or somewhere else in the flat," she says. Anupama was the only student during those classes. The first class went well and Anupama got a concert opportunity after a couple of classes."I got a concert opportunity in Chrompet where he was singing the next day. So I was able to put his name down and I thought this had more validity and that this was going well. And over the next six months, I was quite busy with college stuff and I was also working somewhere. We'd have classes on and off. In these six months, there were a few comments made when I'd come from college wearing jeans and a T-shirt...I mostly wore a salwar...and he'd say "looking very fashionable" or something. But nothing that made me feel like anything was going to happen to me, nothing that made me feel unsafe," she says. At the end of her extended stay in India, Anupama went to tell the musician that this was going to be her last class and that she'd be happy to continue learning music from him through Skype calls."We had the class and everything went as per normal. I think I was wearing a salwar or something. I did a namaskaram like it's usually done in the music fraternity to your guru. You seek their blessings and you take your leave. I did namaskaram and got up thinking he will shake my hand, and I'll leave. So I got up and he suddenly pulled me into a hug which I found very strange. But I was also like ok, you've developed a rapport with someone, it's a fatherly hug. He pulled me into a hug kind of forcefully and then suddenly I felt that I was being groped from the front. A few people I've talked to have asked me why didn't you scream, why didn't you hit him or run. But I think your body goes into such a state of shock at that point and you really kind of freeze. I noticed that I was being groped, I noticed that his face was kind of buried into my neck...trying to find something to kiss. And I noticed that we were in the living room of his flat and one of the bedrooms was behind him. I noticed being pulled into one direction, towards the room. So immediately, my fight or flight instinct kicked in and I knew I had to do something before it went to another level. I don't remember if the front door was open but I do remember these details," she alleges. Then, Anupama says that she pushed him away and said, "Okay mama, I'm leaving now. Thank you.""I was in complete shock. I don't remember him saying anything. I couldn't really believe it. I was supposed to go to my uncle's house for lunch, so I left. I remember thinking that I can't cry, that I can't show that anything has happened. I can't look like anything has happened because someone will ask, why do you look different. I think even at that time I had the awareness that this person is a very well-known personality and you can't say anything. If I say something, no one in my family will believe me. By the time I went to my relative's house, I'd convinced myself that nothing had happened. I decided that I'd made this all up and that I'd imagined it. Then I received a text message from him... I still have it… It was something along the lines of do not mistake me, it was parental affection. Just that," she says. It was then that Anupama realised that something had indeed happened and that he'd felt the need to explain himself. After she left India, OS Thyagarajan allegedly constantly sent her emails asking when she was coming back. Anupama recalls feeling very conflicted about it. She had one phone session with the musician after which she stopped classes, although he allegedly persisted in sending her emails."It took me a while to tell anybody about it. But when I did, my dad asked me why I wanted to learn from him. I was of the mindset that this is what it takes. I thought maybe this is what people have to go through. You keep hearing stories like that. I thought it was part of the struggle," she says. Anupama says that a lot of people have asked her, why pursue arts in this country if that’s what it takes. “To that end, the majority of artists I have met – men and women – have been amazing people whose company I value, and who have helped me grow and continue to evolve. Yet, as any field we’ve been seeing/following, the arts are not invincible to this phenomenon, just because they carry a certain religious connotation, or the artists are viewed as pious on stage. Therefore, it’s important to separate the art from artist and keep in mind that the personality you see on stage is not always reflective of the character underneath,” she says. “The goal of speaking out now is not to warn people away from pursuing the art and pursuing your passion. But for the multitude of parents and children who are unaware and make themselves vulnerable, it’s an effort to make this a safe and positive space that focuses on the positives of classical arts instead of making it a breeding ground for conduct such as this,” she adds. When Anupama moved back to India a couple of years later, she made a conscious choice not to go for OS Thyagarajan's concerts or meet him anywhere. She did not speak about what had happened because she was worried about the repercussions on her fledgling career. She has not met OS Thyagarajan since. The musician's name has surfaced in the list of alleged sexual harassers in the Carnatic music field that singer Chinmayi has put together on Twitter as part of the #MeToo movement. When TNM reached out to OS Thyagarajan and asked him if he'd molested a student in the past, the musician denied the allegation."This is a false allegation. I'm a very orthodox man. I don't indulge in such acts," he said. TNM has spoken to the survivor and also to one of her friends, who the survivor confided in following the incident. The survivor also sent us a screenshot of the message that OS Thyagarajan sent her, mentioned in the article. Here’s the screenshot: *Name changed. Main image by Sai K shanmugam [CC BY-SA 4.0], from Wikimedia Commons

Madras HC slams police for case against Nakkheeran Gopal, Governor justifies complaint

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Controversy
The Raj Bhavan in a statement denied the involvement of the Governor in the Nirmala Devi case.
Days after the Chennai police arrested journalist Nakkheeran Gopal based on a complaint from the Tamil Nadu Governor’s secretary, the Madras High Court came down heavily on the police for registering cases under section 124 of the IPC – which relates to “assaulting the President or Governor with intent to compel or restrain exercise of any lawful power.” Justice M Dhandapani, who was hearing the anticipatory bail pleas filed by 35 employees working with Nakkheeran magazine, gave an earful to the counsel appearing for the police, and asked if the police knew the situations that warranted a case under section 124. Nakkheeran Gopal, the editor of Nakkheeran magazine, had been arrested on October 9 on the basis of a complaint filed by TN Governor Banwarilal Purohit, for a story that the magazine had carried about the Nirmala Devi sex-for-cash university case; he was later released. On Friday, Justice M Dhandapani stressed that case must have been filed under sections 499 and 500 of the IPC – relating to criminal defamation – on the complaint given by the Deputy Secretary to the Governor, and not under section 124. He said that section 124 is applicable only when the Governor is blocked from going somewhere or blocked from doing his duties. The Madras HC’s rap comes even as the Raj Bhavan has issued a statement justifying their complaint against Nakkheeran. The press release issued on Friday stated that Nakkheeran’s reportage linking the Governor, the Raj Bhavan and Nirmala Devi did not have “a shred of truthfulness.” “It can only be a deep sense of hatred towards goodness and truth that could have driven any journalist to have written the articles in the manner they appeared in the Nakkheeran. It is a matter of regret that such utter falsehood and this kind of yellow journalism is being supported by respectable people who, it appears, are not aware of the facts,” the statement from Raj Bhavan said. Nakkheeran Gopal was arrested for his reportage on the alleged links of the Governor in the Tamil Nadu ‘sex-for-cash’ case involving Nirmala Devi, a professor at the Devanga Arts College, that was published in the April issue of the magazine according to the remand report. However, the Raj Bhavan statement talked about a story on the same subject in the September issue of the magazine. The Raj Bhavan statement denied the involvement of the Governor in the Nirmala Devi case and said, “It was indeed shocking to see a resurfacing of yellow journalism in an issue of the magazine Nakkeeran in late September after the charge sheets had been filed and all investigation completed.” “Those who claim to be engaged in investigative journalism have not even bothered to verify the actual statement given by Tmt. Nirmala Devi before the police. The height of casualness and cowardice in journalistic ethics had been reached with the publishing of the article,” read the press statement. Adding that there is no truth to the allegations published by Nakkheeran, the statement said that Nirmala Devi has never entered Raj Bhavan in the last one year and that she does not have any acquaintance with the Governor, the secretary or any of the officers working in Raj Bhavan. The statement also added that the Governor had not visited the guest house in the Madurai Kamaraj University. Equating the reportage on the Governor by Nakkheeran to the days under the British rule till ‘the father of the Nation came to the fore to teach the people to resist fear and stand on the path of truth and goodness’, the press release said, “In a democracy there can be a healthy exchange of ideas. But no threats direct or indirect on a constitutional authority as the Honourable Governor will be tolerated. The Raj Bhavan can and will never be cowed down by actions aimed at hurting the dignity of the High Office,” the statement said. Nakkheeran Gopal was arrested by the police when he was enroute to Pune on Tuesday, and the Allikulam Magistrate court refused to remand Gopal. The police had registered an FIR on Gopal under section 124 (assaulting the President or Governor with intent to compel or restrain exercise of any lawful power.) The magistrate refused to remand Gopal citing that the case under section 124 does not hold water, after which he was released.

CBI to probe corruption charges against TN CM Edappadi Palaniswami

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Court
The DMK had moved the Madras High Court alleging that contracts for highways projects in the state had reportedly been awarded by the CM to his relatives and benamis.
Nearly four months after the Dravida Munnetra Kazhagam, the main Opposition party in the state, made allegations of corruption against Tamil Nadu Chief Minister Edappadi Palaniswami, the Madras High Court has ordered a Central Bureau of Investigation (CBI) probe into the matter. On Friday, Justice Jagdish ordered the CBI investigation to be headed by an officer of the rank of Superintendent of Police. Stating that the probe being transferred to the CBI is in the interest of transparency, the court has called for a preliminary inquiry into the matter that be conducted within a period of three months. If a case is made out of the inquiry, the investigating team has been ordered to file for further proceedings. With Friday’s orders coming into immediate effect, two state government Ministers -- the Chief Minister as well as Health Minister C Vijayabaskar -- are now being probed by the CBI. In June this year, the DMK had written to the Directorate of Vigilance and Anti-Corruption (DVAC) alleging corruption in the allocation of five highways project contracts to various firms owned by relatives of Chief Minister Edappadi Palaniswami. The party alleged that the tender for the four-laning of the Tirunelveli-Sengottai-Kollam highway on SH 39 has been awarded Venkatachalapathy Constructions, reportedly owned by P Subramaniam, the father-in-law of Edappadi Palaniswami’s son Mithun. Read: Trouble for EPS? DMK alleges highways contracts given to CM's family, goes to DVAC However, unhappy with the DVAC response, the party moved the Madras High Court in August slamming ‘the lackadaisical approach’ in conducting an investigation. The main persons mentioned in the party’s complaint are Chandrakanth Ramalingam (related to Palaniswami through his daughter-in-law), P Subramaniam (EPS’ son’s father-in-law), and Nagarajan Seyyadurai (an alleged benami). The DMK claimed that they were the beneficiaries of overvalued World Bank-assisted government projects, thanks to their proximity to the Chief Minister. In the case against the Chief Minister, the DMK listed out various irregularities in awarding highways projects including the four laning of the Oddanchatram- Dharapuram- Avinashipalayam state highway, the four laning of the Tirunelveli-Sengottai-Kollam state highway, the four laning of Madurai Ring Road, six laning of the Vandalur-Walajabad road, and the maintenance of all State Highways in Ramanathapuram, Thiruvallur, Krishnagiri and Virudhunagar districts. Also read: DMK moves Madras HC, asks why DVAC isn’t probing graft allegations against TN CM

Meet the goofy animated gorilla that's turning up at all kinds of places in Chennai

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Art
Jemma's gorilla tiptoes around sleeping dogs, paints skies with pink-streaked clouds, pole vaults across buildings and enjoys Chennai sunsets.
Instagram/ thatgorillagirl
The Hollywood film King Kong was the story of a giant ape that went to New York City in search of his love. But do you know of the gorilla that’s popping up all over Chennai? If you haven’t seen it yet, head right over to Jemma Jose’s Instagram page! Jemma’s gorilla makes its presence felt (or not) in almost every situation imaginable. Sometimes it appears playing the keyboard as a man tries to make up to his partner. Other times, the gorilla appears to blow hot air balloons out of a bubble blower. It quietly tiptoes around sleeping dogs, paints skies with pink-streaked clouds, pole vaults across buildings and enjoys Chennai sunsets. Could gorillas be any more adorable? This goofy gorilla is part of Jemma’s 100-day project, #gorillagirlathon. A 2-D animator and artist based out of Chennai, Jemma began the project only to keep herself creatively engaged. “And to be more regular on social media,” Jemma adds. View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Aug 11, 2018 at 3:05am PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Aug 7, 2018 at 4:50am PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Aug 21, 2018 at 10:20pm PDT But what made her think of gorillas in particular? “Well, it was my husband Rishad (then fiancé) who gave me the idea,” she says. A phone conversation between the two, while Jemma was at work in the kitchen, would spark off an interesting thought process that would result in the creation of the this quirky gorilla. “According to him, which was nothing like it, by the way, it “sounded” like there was a gorilla in the kitchen,” she laughs. Jemma went on to work on a short film during her design course in NID Ahmedabad where this gorilla was featured for the first time. When she later decided to work on a 100-day project, it was this gorilla Jemma went back to. View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Aug 7, 2018 at 4:50am PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Jun 29, 2018 at 8:34am PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Jun 5, 2018 at 2:33am PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Apr 16, 2018 at 11:42pm PDT View this post on Instagram A post shared by Jemma Jose (@thatgorillagirl) on Apr 17, 2018 at 8:42pm PDT So does the gorilla have a name? “No, the gorilla has no name, no gender. It’s just the gorilla,” she chuckles.  At the time of writing, Jemma had just completed her 74th illustration and the project is nearing its close. For the first 50 photographs, she worked on her own photos. “I’d randomly choose a photograph from a folder on my desktop. I then requested people to send me their photos, to give back something to the community. I was quite surprised by the response, I took in about 25 entries,” she says. The rest of the project will be completed with her own photos. Jemma plans to work on an anime series with the gorilla next. 

Air India Express plane has miraculous escape after grazing wall

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Accident
Although parts of the Boeing B737-800's undercarriage were damaged, the pilots, unaware of the accident, continued to fly until the airport staff alerted them.
Twitter / @nagarjund
All 130 passengers and six crew members on board an Air India Express flight to Dubai had a miraculous escape early on Friday when the aircraft's wheels scraped the airport's outer wall during take-off in Trichy in Tamil Nadu."The aircraft hit the airport's instrument landing systems (ILS) and then the compound wall," Trichy Airport Director K. Gunasekaran told IANS. Although parts of the Boeing B737-800's undercarriage were damaged, the pilots, unaware of the accident, continued to fly until the airport staff alerted them. The plane was then diverted to Mumbai and landed there four hours later around 5.40 a.m. The flight IX-611, with 130 passengers and six crew, had taken off at around 1.20 a.m."We informed the pilot about the mishap," Gunasekaran said. "The pilot said nothing was wrong with the plane as the systems were functioning normally. But we found some parts of the plane like an antenna on the ground." An Air India statement said officers of the Directorate General of Civil Aviation (DGCA) had reached Trichy and so had Aircraft Accident Investigation Bureau officers. Pending investigation, the airline has derostered both Captain D. Ganesh Babu, who has flying experience of 3,600 hours on Boeing 737 including 500 hours as commander, and co-pilot and First Officer Captain Anurag, who has flying experience of around 3,000 hours. Authorities began a probe while technicians in Mumbai examined the damaged aircraft."Air India has constituted a Sub-Committee of the Board headed by an independent director for looking at all safety related issues within the organisation including subsidiaries," an Air India statement said. It was not immediately clear why the plane did not gain height after take off. One theory was that the aircraft may have been overloaded. Civil Aviation Minister Suresh Prabhu said he had recently ordered putting in place a third-party professional organisation to look into various safety aspects at Air India."In order to have continuous attention towards air safety, I have also ordered officials to put in place a regular 'safety compliance report' of all airlines. Safety of passengers is of paramount importance for us," he said. Prabhu added that aviation "growth can't be at the expense of safety". Airport Director Gunasekaran said the Trichy airport runway was about 8,200 feet long. A navigator who sought anonymity told IANS: "On the runway there are markings including the lift-off mark. By the time the aircraft reaches that mark, it would have gained the necessary speed and power to take off safely."By the time the plane crosses the compound wall, it would have gained about a height of 300-500 feet." He added: "This plane could have been overloaded. Hence it was not able to gain sufficient speed and power to gain sufficient height after lifting off at the takeoff mark on the runway. The airfield temperature is also a factor." The other reason could be that the aircraft's engines did not generate sufficient power to touch the required speed to take off and gain the needed height, he said. Concurring, a pilot and a member of the Indian Commercial Pilots Association (ICPA) told IANS: "Overloading could be a reason." The navigator said that in case a pilot decided to abandon the take off, there was sufficient runway distance to stop the craft. Experts said there was a maximum take off load and a maximum touch down load. The maximum take off load included the fuel. Instead of burning the fuel over Trichy, it would be better to fly to a destination where the repair facilities were there."An aircraft will not be landed soon after it takes off with a filled up fuel tank unless it is a very critical emergency," he added. On April 26, 1993, 55 people on board an Indian Airlines plane were killed in Aurangabad in Maharashtra when it crashed on take-off after apparently hitting a truck carrying cotton bales."The passengers of flight IX-611 have to thank their Gods. It is certainly not a good show for the pilots of the flight," the navigator added.

RIP Shankar: Students, colleagues remember IAS academy founder

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Tribute
"If I had succeeded, only I would have become an IAS officer. It is because I failed that I am able to create so many IAS and IPS officers," Shankar had famously said eight years ago.
A humble man in a white kurta paired with a ready smile, laidback attitude and unlimited knowledge. That is how students remember Shankar Devarajan, founder and CEO of Shankar IAS Academy, a popular civil services coaching institute in Tamil Nadu."He would always walk into class 15 minutes late with a loud 'Friendsss...' everyday! He would then wrap up the session early and tell us to discuss amongst ourselves. But we just wouldn't want him to stop teaching," says 28-year-old Soodhan Kannan, a student from the 2016 batch who is now working in the postal department. "Shankar sir taught us geography and once he starts teaching, you were just completely mesmerised," he adds.   Thousands of grieving students like Soodhan had gathered outside the Academy's first ever centre in Anna Nagar on Friday, and the crowds were only growing as the shocking news of 45-year-old Shankar’s suicide spread through messages, emails and through social media. The story of Shankar IAS Academy Until Thursday, Shankar was training close to 300 students a year to pursue civil services. His academy, according to former IAS and IPS officers, was one of the finest institutions in south India. He began with a small group of 35 students in 2004 in Anna Nagar and in the 14 years that followed, he had expanded to Bengaluru, Thiruvananthapuram, Salem and Madurai. People all over India aspiring to become Indian Administrative Services, Indian Police Services and other elite bureaucratic service officers, were making a beeline to his academy for coaching. But Shankar himself never cracked the IAS examinations. In fact he exhausted all his attempts. In a column he wrote for Vikatan eight years ago, Shankar explains that he came from an impoverished home in Krishnagiri district. His father worked in a wine shop and while he managed to finish his masters, pressure to earn for the family grew as he attempted the civil services examination. He wrote the exam four times – in 2001, 2002, 2003 and 2004. "I failed every time. And when the situation came to take a job, I decide I will use the experience I got from these failures to teach aspiring students. That is how it began," he wrote. As the academy grew, word of its students’ success stories were everywhere and he brought in some of the best staff and guest lecturers to teach and motivate aspirants. "He was more than a teacher to those students. He was a guide whom they could freely approach and talk to," says MLA Natraj, former IPS officer and DGP of prisons. "I used to address students there and have interacted with Shankar. He was a soft spoken and knowledgeable man," he said. According to Balaji Manohar, Assistant commissioner in the GST department and a former student of the academy, the entire country waited for Shankar to release his answer key after the IAS prelims every year."All aspirants will check it to see how much they are likely to score. He would even predict the cut off," says the officer, who says he owes his entire success to Shankar. Balaji was already 31, when he left America to settle back in India. He went to Shankar in 2012 and requested to be coached by him."Perhaps he saw himself in me. I had very few chances left but he always gave me hope. During the prelims, he told me to study the basics and be strong with that and told me to leave the current affairs part for the mains. He was absolutely spot on. The pattern of both papers was just as he predicted," says Balaji. Former diplomat TP Sreenivasan who took classes at the academy tells TNM, "I have known him for over four years and he was so reserved. I used to teach international relations and I have seen him giving personal attention to every student there. His strength was that he did a lot of research. We used to use his notes to teach students.” And despite all the work he put in, students say that he never forced them to study all the time. "In fact, he would tell us that we should have a passion too, one that we follow outside of the IAS preparation," he explains. And what was Shankar's passion? Cinema. A path he could never follow. Love for acting 27-year-old Preethi Yogasundaram, an IT employee who is preparing for the civil service examinations, says that Shankar could mimic actors well."It was the last day of class for the 2015 batch and sir wanted to keep it light. He began to mimic actors," she recalls with delight. "This quiet man suddenly became so different. He acted out Sivaji Ganesan and other actors. But what I remember the most is his Jim Carrey impression. He acted like him from The Mask. The way he contorted his face, his walk and how he spoke. It was all perfect. I think he really wanted to be an actor," she says. Preethi's guess is not far off. After completing his masters in Agriculture, Shankar came to Chennai to enter the cinema field. He spent a year and a half attempting to follow his passion but a chance in movies never came. But Shankar doesn't mention any regrets about his decision in his column in Vikatan. In fact, he talks about his wife (girlfriend then), Vaishnavi, who supported him financially through his struggle."At home, the poverty was crushing. My family said, 'At least join a job where you get Rs 1000.' On the other side, Vaishnavi wanted to get married. I couldn't do both. Vaishnavi, who understood my problem, came to Delhi with me, took up a job and helped me study," he says in the column. Later on, as Shankar's academy grew, it was his turn to support his wife as she pursued a PhD in IIT. More than a teacher Aspirants, alumni and officers who have emerged from Shankar's academy term his death a huge loss."His patience, how he treated all his students and readiness to clear doubts at any time. Nobody else can be that way,” Soodhan says. MLA Natraj points out that every batch had a diverse bunch of students. "So many of them were from the backward communities and Shankar really helped them reach their potential," he recalls. For Balaji, it was the way Shankar bounced out from failures that will remain inspiring."He turned his failures into a success story. He struggled a lot to get where he was and nothing could stop him. He never showed or told us about any problems. He was always smiling," he says. Eight years ago, talking about his own failures, Shankar had said, "So many people who studied with me and studied under me, have become big officials now. When I see them, I feel pride and a tinge of jealousy. But if I had succeeded, I would have just become an IAS officer. It is because I failed that I am able to create so many IAS and IPS officers. It’s on the stairs of my failure, that so many climb to success."  

Former TN minister Parithi Ilamvazhudhi passes away in Chennai

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Death
Parithi Ilamvazhudhi was a minister in the DMK regime who then joined the AIADMK. After the death of J Jayalalithaa, he joined the TTV Dhinakaran-led AMMK.
Facebook
Former Information and Broadcasting Minister of Tamil Nadu Parithi Ilamvazhudhi passed away at a hospital in Chennai on Saturday morning. Parithi reportedly was taken to the hospital on Saturday morning after he complained of discomfort.  He was 58. Parithi Ilamvazhuthu started his political career at the age of 25 when he was elected to the Tamil Nadu Legislative Assembly in 1984. From 1989 to 2011, he did not lose an election and was elected as the MLA from the Egmore constituency in Chennai in every election held in those years. He was also the Deputy Speaker of the Tamil Nadu legislative assembly between 1996 and 2001. When the DMK was defeated by the Jayalalithaa-led AIADMK in 1991, which marked her first term as Chief Minister, Parithi Ilamvazhudhi was the sole MLA apart from the DMK supremo M Karunanidhi, who retained their seats in the assembly. He represented DMK in the Assembly after DMK leader M Karunanidhi resigned from his post as the MLA of the Harbour constituency. He was once arrested in November 2003 for ‘committing a breach of privilege of the Assembly.’ Late DMK leader M Karunanidhi would often refer to him as ‘Indrajit’ or ‘Veera Abhimanyu’ for his work as the Opposition Member of the Legislative Assembly.  He was also the former General Secretary of the DMK. Parithi Ilamvazhudhi parted ways with the DMK after 30 years due to differences with the then treasurer MK Stalin. He joined the AIADMK in June 2013 and was made the Chief Executive Committee Member. After J Jayalalithaa’s death, Parithi aligned himself with the O Panneerselvam camp of the AIADMK. He, however, was expelled from the party by OPS for alleged anti-party activities. He then later joined the Amma Makkal Munnetra Kazhagam, which was led by VK Sasikala’s nephew, TTV Dhinakaran. He was then made the organising secretary of the AMMK.

Draft syllabus adds 3.5 hours to TN pre-KG school timings, stakeholders divided

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Education
The draft syllabus got rid of written work and increased school timings from 12.30 pm to 4 pm.
Image for representation/PTI
The Tamil Nadu State Council of Educational Research and Training (TNSCERT) recently released a draft version of the updated syllabus for pre-schoolers in the state. The highlight of this draft document —  apart from getting rid of written work for children — is that school timings for pre-KG students have been extended from 12.30 pm to 4 pm. The extension in timings has sparked reactions from various stakeholders in the society. While some parents welcomed the decision, academics and psychologists remain divided on the impact that this would have on the student. For example, Poorvisha Ravi, a full-time employee and mother to a two-year-old son welcomed the decision of the TN government, and said that it is better for nuclear families where both parents work. She added that this would keep the child engaged in some activity. “I would prefer to send my child to such places than daycare because firstly, they get to mingle with many kids of their same age. Most families these days have one or two kids, and there is not much scope for socialising. So, places like these help the kids make friends and develop social skills,” she said. She also added that unlike a daycare centre, pre-KG classes in schools have children in the same age group and hence, the chances of the child facing bullying are rare. This is exactly what drove TNSCERT to revise the existing guidelines for pre-schoolers. Speaking to TNM, Manivel, the Deputy Director of the project said that the main aim of extending the timings for kids was to shelter them in a safe environment until their parents came home. “We have been getting a lot of representations from staff and parents about the safety of kids after 1 pm, according to the present model. In places where both parents are working and they live as nuclear families — with nobody else to take care of the kids —  they worry a lot about the safety of their children,” he said. Adding that the post-lunch session of the kids in pre-school consists of just nap, play and a music and dance session, Manivel said that it has been kept light just to keep the child active. Karthikayani Murugan, a clinical psychologist with the Kovai Medical Centre Hospital also echoed the thoughts of Poorvisha, and said that children learn to verbalise more and have more social and peer interaction in a school environment. She said that this decision has its own set of pros and cons, and that the pros could slightly outweigh the cons. “Communication skills — expressive, receptive and written — develop. Being in school also reduces boredom for the child. Since all children are of their age group, their physical energy and cognitive abilities are almost similar, it helps the child in being active,” she said. She added keeping a child engaged physically drains the parent out, and more so if they work and come home after a long days work. “Schools these days provide food and beverages which are clean and nutritious, and hence I don’t feel anything wrong in the child spending a good portion of their day in the school,” she said. However, there are concerns as to how this could affect the bonding between the child and its parents. R Shanthidevi, an academic with 21 years of experience in education and the correspondent of Sri Lathangi Vidhya Mandir Matriculation School, Pollachi said that she would not prefer pre-KG children to be in a school for such a long time each day. “When a kid, all of 2.5 years of age, spends their day from 9.30 am to 4 pm in a school, the psychological separation from the parent at this tender age has a lot of possibilities of manifesting into serious learning and emotional issues later in their lives,” she said. Adding that there are various skills that a child must develop in such a young age, Shanthidevi says that three hours -- from 9.30 am to 12.30 pm -- is more than sufficient for a child to develop these skills. A kid is tired by the time they go home from school, and there is hardly any time left for the parent and child to bond, she added. “Having nap time in schools is fine but then the comfort and the sense of safety that a child has in its home, in its bed is totally different,” she remarked. S Vandhana, a Chennai-based clinical psychologist also expressed her concern over the long hours prescribed in the draft syllabus. “It is true that the child is kept active and engaged and that multiple skills develop for a child in school. But personally, I would not recommend such long hours in school for a young child," she said. The draft syllabus prescribes similar things to be taught to the three kindergarten classes, and also sticks to oral learning methods. This draft is scheduled to be implemented from the 2019-20 academic year, and will be mandatory for all play schools in the state. The draft syllabus is available in Tamil and English for public perusal on TNSCERT’s website and is open to feedback from the public till October 30, 2018. The feedback can be sent to awpb2018@gmail.com.

TN govt notifies new trekking policy, entry fee and registration now mandatory

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Policy
The policy, framed in the aftermath of the Kurangani Forest fire accident, mentions the rules to be followed while going on a trekking trip in the state.
The Tamil Nadu government on Friday introduced new rules for undertaking trekking trips to the state’s forests. The new rules come after the Kurangani forest fire accident in Theni that had taken place earlier this year and had claimed over 20 lives. According to reports, the new rules framed by the Department of Forests and Environment, specify the fee for the trekkers and also allows only organisations registered with the forest department to embark on a trek. It also specifies the time periods when treks are banned. The trekking routes, as per the notified rules, have been divided into three categories based on the terrain – easy, moderate and tough. Fees have been fixed for each of the categories separately for a domestic tourist and a foreign tourist. Every domestic tourist must pay Rs 200 for an easy trek, Rs 350 for a moderate trek and Rs 500 for a tough trek. For a foreign tourist, the amount to be paid is Rs 1,500, Rs 3,000 and Rs 5,000 respectively. People who opt for the easy or moderate trekking routes, will be accompanied by a guide and if the route is a tough trek, they will be accompanied by a forest department employee along. The groups must also obtain permissions from the concerned officers in-charge before setting out on a trekking trip. After the Kurangani forest fire accident, the Tamil Nadu government had appointed Atulya Misra, the Revenue and Disaster Management Principal Secretary to conduct a probe into the incident and submit a report. The 125-page report had blamed field-level officers of being totally unaware of the number of trekkers who were trapped inside the forest, when the fire broke out. His report had also highlighted certain lapses on the part of the forest department officers.

Chennai theatre’s MeToo: Do groups in the city have an Internal Complaints Committee?

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MeToo
While founders of city-based theatre groups defend not having a redressal mechanism owing to how ‘fluid’ the structure is, lawyers and activists contest this.
Image for representation only
As India's #MeToo movement launched in October 2017 by law student Raya Sarkar has gained new momentum in recent days, women in Chennai’s music and theatre spaces have come forward with their stories. In April this year, widespread allegations of sexually predatory behaviour were made against the member of a fledgling theatre group in the city with an online campaign. While a meeting was held to help design a redressal mechanism for the theatre community as a whole, the campaign failed to bring about a systemic change and little seems to have happened since. In this latest bout of the MeToo campaign, a prominent city theatre group for children and adults has been accused of allowing harassment to take place at their premises. TNM reached out to theatre groups in the city to ask if they have an Internal Complaints Committee (ICC) in place, as mandated by law. We also find out how redressal mechanisms take place in these spaces. Crea-Shakthi Chennai based Crea-Shakthi, one of the biggest theatre groups in the South, operates with a legally constituted ICC consisting of 6 women out of 7 and an external member. According to Dushyanth Gunashekar, Founder and Director of Crea-Shakthi, the production house set up their ICC when they crossed 10 members in April this year. “One of the problems is that the Vishaka Guidelines and the ICC aren’t tailor-made for fluid workspaces such as theatre or other art forms. We do have lots of volunteers, we have members of the audience who participate in the plays, we have freelancers who come and perform in some of our productions. So how do we handle sexual harassment in each case and hold people accountable for their actions?" he asks. Dushyanth believes that the proper way to go about investigating cases of sexual harassment within the theatre fraternity is to, first, hold each member of the community accountable for their actions. “There’s a necessity to define workspaces even in theatre and other performing arts. Theatre groups cannot hide behind the excuse that this is their recreational activity,” Dushyanth adds. Dushyant also adds that if the accused company believes that they are being unfairly accused, having an ICC helps as it would speak for them. “If you don’t have an ICC, you don’t have these incidents documented. You don’t even have a committee to hear these instances. If you do have ICC, that would speak for you in case of unfair accusations or mudslinging,” he adds. The Crea-Shakthi founder also adds that contracts have to be made mandatory while bringing performers, whether they are established artists from other groups or freelancers, on board. Evam Karthik Kumar of Evam, a popular theatre group in the city that also organises stand up comedy events, says that the group has an ICC since his organisation is run as a corporate enterprise. This means that artistes performing for Evam events would count as consultants of the company. “The problem with a redressal mechanism in the theatre space is because of the amateur design of the whole enterprise. It’s semi-formal, more like a bunch of people who get together to have fun. So there is no way to hold anyone accountable. There are no professional terms or contracts,” says Karthik. He also believes that a grievance redressal mechanism for the arts and theatre community as a whole should be set up. The Little Theatre As for redressal mechanisms for sexual harassment cases in their theatre space, a trustee of The Little Theatre has said that the group does not concern themselves with issues that happen outside of rehearsals and performances. A Facebook post had recently alleged that a woman had been harassed by a member of this group, however TLT leadership has rejected this allegation vehemently. “We can’t be managing somebody’s private life. The Little Theatre does not pay the artists. We don’t own them. They are part of multiple institutions at the same time and they are free to do what they want during their private time. Any cases that happen during that time is not our responsibility then,” the person who chose to be anonymous said. The 30-year-old organisation does not have a formally constituted ICC to look into cases of harassment, the member says. “We do have a board of trustees who are mostly women. We haven’t had any complaints come our way yet. But if it happens during the time of practice or performance we will definitely take action,” the person stated. Theatre Nisha  With regards to addressing issues of sexual harassment as a community, Venkatraman Balakrishnan, founder of Theatre Nisha (a 5-member production house in the city) believes that the the theatre space in Chennai and its practitioners don't essentially form a community. Hence, a centralised organisation to address such cases becomes difficult. "The word community has at its base, the desire to pursue a common interest or is unified by common ideologies or common space. It does not exist with the theatre practitioners of Chennai. We rarely even watch each other's works. In the light of such isolated groups, to unite under a common umbrella seems like a herculean task. The concept of first do-no-harm has to be a personal responsibility of each individual and group. Each theatre group will have to create its own method of keeping its space safe for every member of its team. And no actor should agree to work with a group lacking this basic system," he says.  That being said, Venkat agrees there is a need for a systemic approach to dealing with sexual harassment complaints. "There is a need for redressal that allows the survivors to tell their story and get justice as they deem best for themselves, and not decided by anyone else. It should not be a space to settle personal scores and cheap hyperboles, but justice that the survivors deem as a resolution for themselves," he ICC is a legal requirement  Speaking to TNM, city-based lawyer Amba Salelkar disagrees that the theatre community is too undefined to have an ICC.   She says, "The definition of an employee is quite wide. It includes all kinds of staff members, including cleaning, catering staff, etc. As far as theatre in Chennai is concerned, there are quite a number of people always involved ie more than 10. So one cannot argue that it's too small an organization to have an ICC. They are quite large. Just cast members exceed 10 people." Amba points out that if individual theatre groups find it difficult to constitute a body, they could come together to set one up for the entire community."Under the law, there is a requirement is to set up an ICC. The law is very clear and includes paid and unpaid employees, including cases where conditions of employment are not defined," she says. Vaishnavi Sundar, an independent filmmaker, writer, and a theatre actor says that there are avenues to set up bodies to look into complaints, if the organisation truly believes in doing so. “It is going to be very difficult to come up with a mechanism for redressal in the arts and theatre space. Groups don’t conform to a set structure. Most people perform theatre as a hobby. After a production wraps up, they go back to their day jobs. It is also difficult to define who an employee is. We need to factor in other people not associated with the organisation, freelancers and audiences,” she says. However, Vaishnavi is quick to point out that in the absence of an Internal Complaints Committee as mandated by law, there must be a Local Complaints Committee(LCC) for organisations that have less than 10 employees set up by the district administration. She says, “Most people are unaware of its existence. They don’t know whom to approach, call or email. There is no information available in this regard anywhere. Of course one can easily say that the victim should go to the cops but we know how cops behave. Victim shaming happens and there is no redressal at the end of it.”

A professor's harassment made her transfer to a different campus. Now she wants to return

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Protest
A month after she was given permission to transfer to the university’s Trichy campus, the student has allegedly come forward to seek reentry into the Tiruvannamalai campus.
Facebook
After a third-year student of BSc Agricultural Sciences in Tiruvannamalai Agricultural College had complained of sexual harassment against one of her professors, the college subsequently suspended the professor after an inquiry was conducted. The student had then requested to be transferred to the university’s Trichy campus, which had been granted, according to the Saibaba Colony police station in Coimbatore. But now, the student wants to return to the Tiruvannamalai campus to continue the remainder of her education, a transfer that’s currently under consideration. On Saturday, members of the Students’ Federation of India in Coimbatore conducted a dharna in front of the Tamil Nadu Agricultural University Campus in support of a student of the college. Students began protesting around noon on Friday and left around 3 pm. A month after she was given permission to transfer to the university’s Trichy campus, the student has allegedly come forward to seek reentry into the Tiruvannamalai campus. Speaking to TNM, Vice Chancellor of Tamil Nadu Agricultural University, K Ramaswamy, claims that the student had asked to be transferred to the Trichy campus as she felt mentally aggrieved following the professor’s harassment. However, according to Ramasamy, the student had not accepted the Trichy transfer in time and after the offer letter lapsed, the seat was cancelled. Following this, the student petitioned to return to Tiruvannamalai. He further claimed that after the complaint about the professor, several other students felt uncomfortable about the student’s return to the campus. “The students themselves have asked for 15 days to determine whether they are OK with the student returning, which is why we have given them the time. She had initially requested to be transferred to Trichy but didn’t accept within the time given and the time has expired,” he said. He further added that the petition would decided by committee members of the college on whether the student should be transferred back to Tiruvannamalai, as per her request, or whether she will have to stay in Trichy. While the student herself was not available for comment, others who helped her petition have stated that they have no issue with her returning to the college. “It was the university which had asked for 15 days time so they can take up the decision after discussing with the internal committee,” stated SFI member Dinesh to TNM. “The petition was actually signed by her classmates who supported her plea to return to the campus.”

Vishal announces panel to look into 'Me Too' allegations in Kollywood

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#MeToo
Actor Vishal said a three-member committee will be formed for Nadigar Sangam, FEFSI, TFPC and Film Chamber to ensure women safety and unity in the industry.
Nearly a week after the MeToo movement hit the Tamil film industry, President of the Nadigar Sangam and the Tamil Film Producers Council, Vishal has announced to set up a three-member probe committee to look into these allegations. Speaking at the press meet of his upcoming film on Saturday, he said, “We are forming a three-member committee for all bodies i.e. Nadigar Sangam, FEFSI, TFPC, and Film Chamber. It is a platform to make sure women are safe and to ensure unity in the industry. At the same time, it will also be a platform to show that we are there for the women actors, from junior artistes to senior artistes.” On October 8, journalist Sandhya Menon shared screenshots of an anonymous allegation about how Vairamuthu had assaulted a woman, who was 18 years of age when she had gone to the poet’s residence-cum-office to work on a project. A day later, singer Chinmayi came forward with her own experience. She detailed how she had allegedly been asked by the organiser of a programme in Switzerland to "cooperate" with Vairamuthu. She was reportedly asked to visit him in a hotel in Lucerne. When she refused and demanded that they (Chinmayi and her mother) return to India, she was supposedly told that her career was over. Chinmayi says that the incident took place in 2005 or 2006. Over the last week, Vishal has been slammed on Twitter for not speaking up on about the allegations. Defending this, the actor said Twitter was just a place to say things one wants to say and asked not to be judged it for not speaking up earlier. Responding to why a press release was not issued soon after Chinmayi's allegation against the lyricist, Vishal said that the delay should not become an accusation against the Nadigar Sangam.  Refusing to take a stand on not working with Vairamuthu, Vishal said that law needs to take its course and the matter needs to go to court to be proven.  “After everything is analysed and proved, of course, we will not be sitting and watching even then,” he said unsarcastically. Vishal pointed to his co-stars on stage and told media persons, “Everyone is safe. Keerthy Suresh is safe. Varalaxmi is safe. Very safe. Talking about our film, nothing would have happened in the unit. Nothing will happen because it is a moral responsibility. It is not out of fear.” One reporter asked the actor about his stance that women should speak up immediately. When reminded that in Chinmayi's case, she, a newbie in the industry was up against a powerful veteran of the industry, Vishal said, "When a girl is brave, it will automatically be infectious for men. I am saying this because I have witnessed the bravery of women.”  Ignoring the fact that many women in the film industry are unable to speak up owing to their financial situation, the skewed power dynamics and in some cases a fearful combination of the two, Vishal said women actors should not think of safeguarding their careers despite seeing their perpetrators in powerful company.  Incriminating women who don't speak up when they are violated, Vishal quoted Section 201 of the Indian Penal Code that deals with causing the disappearance of evidence of an offence or giving false information to screen offender. He said, “MeToo is to bring about awareness to be united against sexual harassment. Section 201 is there. Being silent when a crime happens and covering up evidence is a crime. I'm not saying it is a crime. Just like how Amala Paul immediately got justice, they will also get justice.” Vishal seems to have been referring to film actor Amala Paul who had alleged harassment at a rehearsal for a show in January this year. The popular actor approached the police soon after the incident to report a stranger who had walked into the dance studio to ‘solicit’ her.

Salem train heist: CB-CID cracks case after 2 years, arrests two

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Crime
CBCID special teams relied on informants and technical analysis to obtain valuable clues.
Over two years after the sensational Salem train heist, the Crime Branch of the CID has cracked the case, making key arrests on Friday. In a statement to the press on Saturday, the CBCID said that they had arrested Banesingh Pardi (38) and Rohan Pardi (29) of Ratlam, Madhya Pradesh in Chennai. The duo confessed to their involvement in a gang headed by one Moharsingh, who is currently lodged in prison over his involvement in other cases. According to the CBCID, the gang revealed that five of them travelled atop a moving train on the night of August 8, 2016. They cut a hole on the roof of the parcel van when it reached between Chinnasalem and Vriddhachalam railway stations. Two of them slipped inside the parcel van through the hole, broke open the wooden boxes, took cash bundles and wrapped them in lungis. Explaining their modus operandi further, the police said that the gang inside the train handed over the stolen cash to their fellow gangsters, who were waiting on the ground, even as the train was fast approaching the Vriddhachalam railway station. In August 2016, an amount of Rs 5.78 crore was stolen from four boxes out of the 226 boxes on a VPH (high-capacity parcel van), which was being moved from the Indian Overseas Bank, Salem to the Reserve Bank of India, Chennai. The incident had come to light only at noon, even though the train had arrived at Chennai’s Egmore station at 4 am. A four-square-foot hole, through which a person could enter, was found drilled on the roof of the mail van, which was carrying soiled currencies worth Rs. 342 crore from Salem to Chennai on the Salem Express. The investigation has revealed that the gang belonged to a group of Pardi criminals, who are also involved in cases across Madhya Pradesh, Rajasthan, Delhi, Haryana, Gujarat and Maharashtra. The members reportedly move in groups to various states across the country and stay on the roadside or near railway stations and tracks by erecting temporary shelters. The Tamil Nadu police are also probing the gang’s involvement in other crimes in the state. CBCID special teams relied on informants and technical analysis to obtain valuable clues.

‘Left my profession after founder molested me': Chennai teacher recounts 8-yr-old horror

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MeToo
A teacher recounts how the founder of a popular playschool in Chennai, which she helped set up, molested her in the pretext of a meeting.
Image used for representational purpose only
Sunayna* is a survivor of sexual abuse at her workplace. When she was subjected to sexual misconduct from the person who hired her, she decided to walk out of the institute the very next day, because there was no other option. Though she wishes to remain anonymous, she was ready to speak to TNM about the sexual assault, eight years after the incident. Sunayna was hired as a consultant and a teacher by the founders of a popular playschool in Chennai, which was opened in January 2009. The playschool is run by a married couple, with the woman being the principal. “Since they were relatively new to this field, I helped them bring teachers from other schools on board, chart out the syllabus and even a mother-child programme, which was my area of expertise,” says Sunayna. Even though the playschool started functioning in full swing, the teachers were receiving their salaries in cash, with no proper provident fund account as well. “There were several teachers, including a single parent, who demanded an account transfer of the salaries as they wanted to apply for loans,” she says. In August, Sunayana took up the matter to the founders, who informed her that they would discuss the issue later in the evening outside the playschool. The man even told Sunayna that he would pick her up.   Later that evening, Sunayna and her husband were waiting outside their house for the founders. When the man arrived, he got out of the car, exchanged pleasantries with her husband and the two even struck a good conversation with each other. “But when I entered the car, I realised his wife was not in it. When I enquired, he told me that the meeting would be just between the two of us. We reached a swanky hotel and discussed the matter in the lobby. The meeting was over in 45 minutes. We got in the car as he offered to drop me back. Mid-way, he stretched his hand out and started rubbing my thigh up to my groin. I was shell-shocked,” she recounts. “I was in a state of denial, thinking this did not happen to me. The man later handed me a big brown cover and asked me to open it. My hands were trembling. When I opened it, stacks of cash popped out. He told, ‘that’s for you’. Since the car was on a flyover, I could not jump out of the car; but I forced him to stop the car. I scrambled out, banged the door shut behind me and ran towards my house, which was a few blocks away. I was shaking with fear and crying,” she recalls. While her husband and a family friend were trying to put her at ease, Sunayna called the principal that night, to inform her about her husband's conduct. “She told me that she has heard about his misconducts earlier and was always clueless on what action to pursue as the reputation of the institute was at stake. Finally, she assured us he will not enter the playschool premises again. We were not convinced as the couple lived in the same compound as the playschool,”  she recollects. The next day, when Sunayna and her husband went to put down her papers and collect her certificates, the principal flipped her version and started victim-blaming Sunayna. “She started questioning me and asked why I went along with the man - her husband - when I knew she was not in the car. I went with him because he was the person who hired me,” without squandering her time on explanations, Sunayna and her husband stormed out of the campus. “As I was leaving, a young teacher came running to me, hugged me and started crying. I was confounded,” she says. According to Sunayana, the man had once come to the staff room, thrust himself on her and commented on her butt. “Since the girl was newly married and was the sole breadwinner in the family, she did not complain.” After walking away from her molester, Sunayna never looked back and cut all ties with the playschool. “I do not plan to pursue the case or call the person out. But if I ever come across him again, I would not hesitate to slap him,” she says. Sunayna's emotions flitted from denial to fear to disgust since the incident. "I was 26-year-old at the time of the incident and I wanted to take the man to court and a file a complaint with the police. But the men around me discouraged me from doing so, as pursuing this legally would invite foul questions like 'who asked you to go with him'. All I could do was vent my anger on the man and his wife," she says. "I did not want to be part of that school anymore, because it is owned by my molester. The man sexually harassed me and violated me further by offering money in the car. Despite this, the principal was making attempts to protect her husband. These factors forced me to walk out of the school and the profession," says Sunayna, who warned the other teachers before she left the campus.  Sunayna goes on to describe how her trauma took a toll on her profession as a teacher. "I was so traumatised by what happened that I eventually fell into depression. I refused to work in any school as a teacher for months. A few schools that I went for job interviews enquired why I left the playschool. In fact, that would be the first question.  I loved my job so much, but I stopped teaching," she says.   

Kamal rules out alliance with DMK and AIADMK, hints at talks with Congress

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Politics
When asked about a possible alliance with the Congress in the 2019 elections, Kamal said they have to see if it suits Tamil Nadu.
Actor-politician Kamal Haasan has ruled out an alliance with Tamil Nadu's largest state parties --  the DMK and the AIADMK -- and hinted at talks for an alliance with the Indian National Congress ahead of the 2019 Lok Sabha elections. In an interview with Thanthi TV, Kamal, in response to a question on a possible alliance with the Congress for the upcoming 2019 Lok Sabha elections, said, “I don't know. We have to talk to them. We have to see if it suits Tamil Nadu. All I'm going to ask is what good they will for the people of Tamil Nadu. The evidence for whatever has been done thus far, is very little,” he said. Stating that he needn't talk about an alliance at this point, he said he would contest in the upcoming Lok Sabha elections in 2019. However, the Makkal Needhi Maiam chief ruled out an alliance with both the DMK and the ruling AIADMK in the elections, stating that both these parties needed to be isolated. In June, Kamal met Congress President Rahul Gandhi in New Delhi. Stating that he had gone to Delhi to officially register his party, Kamal noted that his father was a Congressman. During the course of the interview, the actor also said that Dravidianism is not the ancestral property of Dravidian parties in the state but belonged to all. The actor, who has been criticised for dividing his time between cinema and politics, received flak on Friday for announcing a sequel to his 1992 film Thevar Magan. Speaking at the HT Leadership Summit earlier this month, Kamal had said, "Our membership drive is going well. Our party structure needs to be very strong. We have great people advising us, and our manifesto will be ready. We have adopted eight villages which we have started redeveloping. We have a whistle-blower app. It is not only whistle-blowing but we have an ear on the ground.”

'File case, I have unshakeable evidence': Vairamuthu on sexual harassment allegations

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#MeToo
The lyricist said that he had been in consultation with lawyers and intellectuals over the past week and had gathered proof of his alleged innocence.
Nearly a week after singer Chinmayi and multiple other women came forward with allegations of sexual misconduct against Vairamuthu as part of the MeToo movement, the Tamil lyricist has responded stating that they are false. In a video release to the media on Sunday, the lyricist said, “The allegations being made against me are absolutely false. They are filled with ulterior motives.” Vairamuthu also stated that if the allegation were true, those involved could initiate legal proceedings against him. “I am waiting to face it. I have been in deep discussion with senior lawyers and intellectuals over the past week. I have gathered unshakeable evidence. You can file a case,” he said. He also added, “No one should decide whether I am a good or bad man now. Let the court say that. I bow to justice.” On October 8, journalist Sandhya Menon shared screenshots of an anonymous allegation about how Vairamuthu had allegedly assaulted a woman, who was 18 years of age when she had gone to the poet’s residence-cum-office to work on a project. A day later, singer Chinmayi came forward with her own experience. She detailed how she had allegedly been asked by the organiser of a programme in Switzerland to "cooperate" with Vairamuthu. She was reportedly asked to visit him in a hotel in Lucerne. When she refused and demanded that they (Chinmayi and her mother) return to India, she was supposedly told that her career was over. Chinmayi says that the incident took place in 2005 or 2006. US-based artist Sindhuja Rajaram, has also come forward with her account of sexual misconduct against the lyricist as have multiple other women who have chosen to remain anonymous. This is the first time that the lyricist has directly addressed allegations against him. Earlier this week, in a cryptic tweet on Wednesday, the lyricist had said, “The uncivilised act of spreading rumours about well-known people is becoming ‘civilised’ across the country. In recent times, I am being humiliated continuously; this too is one of those instances. I am indifferent to anything other than the truth; time will tell the truth.” Shortly after his video response to the allegations, singer Chinmayi took to Twitter to respond. "Mr. Vairamuthu should take a lie detector test. Enough said," she wrote. Mr. Vairamuthu should take a lie detector test. Enough said. — Chinmayi Sripaada (@Chinmayi) October 14, 2018

‘Set up body to address sexual harassment cases in performing arts sector’: Artistes

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MeTooIndia
Popular dancer and actor Swarnamalya Ganesh initiated a public consultation process for the advocacy of redressal in the performing arts.
Facebook/TM Krishna/Swarnamalya Ganesh
Days after the MeToo movement gained momentum in India, several artistes have come together to break the veil of silence that has so far shrouded such allegations in the performing arts sector and expressed their solidarity in condemning sexual harassment at the workplace. Popular dancer and actor Swarnamalya Ganesh initiated a public consultation process for the advocacy of redressal in the performing arts. “We will make every sphere of Performing arts from Private dance schools, sabhas, organizations, government nodal agencies, ministry, artiste, universities accountable. No matter your gender, power, status, age you will never intimidate us anymore. Taking this forward. If the performing artistes want to continue your radio silence, its fine. Coz this battle is fought for you too. Your children will live in a safer space from now on (sic),” she wrote on her Facebook page on Thursday. Several young Carnatic musicians from across the world have now come together and are signing an open document requesting for the constitution of a body to address such issues and to create a safer environment in the Carnatic community. The document has over 300 signatures so far and the number is growing by the minute. “We ask for due process through civil society investigations into these allegations to hold these individuals accountable, and whole-heartedly welcome those who want to come forward and share their stories. At this juncture, we also encourage and request sabhas and cultural organisations all over the world to recognise this issue and put forward proactive structural measures to address such claims and prevent future incidents. We believe that this will make the Carnatic community safer for all,” reads the document that is being shared widely on Twitter. It's time we--youth of the Carnatic community--stood up for what is just and morally right. The #metoo movement is strong and cannot be ignored. To view the growing document: https://t.co/Ld9kaelvpn Thank you to @Chinmayi for empowering so many women in India to speak out. pic.twitter.com/FcsUgHvoX8— Abhinav Seetharaman (@AbhiSeeTheRamen) October 13, 2018 It is wonderful that over 200 members of the Karnatik community from across the globe have come together to say unequivocally that sexual abuse will not be tolerated. Please share widelyhttps://t.co/VyqJKQ7pQ0 #MeToo — T M Krishna (@tmkrishna) October 14, 2018 Popular singers like Ranjani and Gayatri, TM Krishna, Sriram Parthasarathy and Bombay Jayashri have signed the document so far. Speaking to TNM, Swarnamalya shares that there are no systemic redressal procedures in place, specifically in the performing arts, under the Ministry of Culture. “Performing arts is a largely unorganised sector, most of the organisations are private and so accountability is a major problem. The Ministry has to intervene to hold people accountable for their actions,” she explains. The draft of an advocacy plan lists nine points that can be adopted. Setting up of a sexual harassment cell under the Ministry of Culture, a committee that follows Vishaka guidelines, redressal cell, are some of the mandates listed in the draft. Swarnamalya also shares that while Raya Sarkar’s list did create a ripple, the present MeToo movement is making much deeper grooves. “While Pappu Venugopala Rao did step down from his post at the Music Academy, the real reason behind it was not discussed clearly. I think it is important to speak up during such times. It died down because of the radio silence from the senior artistes,” she says, adding, “It helps the younger generation to open up more freely when their gurus do.” She also tells us that if such allegations are found to be true, the person in question should be held accountable and face consequences. “Taking back any Sangeet Natak Akademi Awards, lowering of position in the field and grading with Doordarshan, and blacklisting on Indian Council for Cultural Relations (ICCR) can be effective deterrents,” she further explains. The need for an independent redressal system beyond the confines of organisations is paramount to encourage survivors to open up, says Swarnamalya. “Also, the committee should be made up of strong members coming from diverse fields. If the committee is going to consist of members from the artistic community who might tend to back the perpetrator(s), then the reason for its existence is lost,” she adds. With the help of Ek Potlee Ret Ki (Kaani Nilam), an activists’ collective that works on cultural identities, Swarnamalya plans to take this up with the Ministry of Culture soon. Radhika Ganesh, the founding member of Ek Potlee Ret Ki, shares that the collective has long been working on making cultural spaces safe for young artists, both male and female. “While MeToo is more of an urban movement, we’ve had voices from semi-urban and rural places where young artistes venturing out looking for opportunities come back with very bad experiences. We are more keen to take it further and with the MeToo Movement, we feel the time is now right,” Radhika tells TNM. The consultation process will invite opinions from all kinds of stakeholders. “The idea is to create a working body that does not just follow due process or remains defunct, as is the case with most such redressal cells. We invite people to come forward with suggestions to implement the same,” she adds.

Vairamuthu came after me too: Musician Sindhuja and another survivor speak up on poet

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#MeToo
Musician Sindhuja Rajaram says Vairamuthu was ‘trying his luck’ with her when she, as an 18-year-old, had tried joining a hostel that he ran in Chennai.
Facebook: @kaviperarasuvairamuthuFC
When allegations of sexual misconduct against Tamil lyricist Vairamuthu began surfacing on Monday as part of the MeToo movement on Indian social media, singer Chinmayi came forward with her own story of harassment the following day. Chinmayi recounted the incident from 2000-2006 when the lyricist allegedly harassed her, and later had to defend herself from the vile comments and attacks on social media and the news media. This mounting disbelief about Chinmayi’s version provoked US-based artiste Sindhuja Rajaram to come forward with her own experience. TNM also spoke to another woman, who chooses to remain anonymous, but has shared why she was forced to leave the music industry. In an email interview to TNM, Sindhuja talks about why she chose to be identified than staying anonymous. She also details her experience with Vairamuthu, when she tried joining his hostel. Sindhuja maintains that she has received closure. While Sindhuja says Vairamuthu was only 'trying his luck with her', the artiste calls him a weak person for painting the MeToo movement as 'fashionable.' When did you first hear about Chinmayi's accusations on Vairamuthu? I am not been active on social media, especially Twitter. A close friend sent me her posts on October 5. I started to follow her with my old, unused Twitter account since then. After a few days, I saw a few posts on Vairamuthu and felt that it was high time he was exposed. A couple of friends, who knew my story, insisted I write to Chinmayi. I also remember telling them that my experience was not as horrific or “sensational” as others. But then, the following day, I also realised that nobody was coming out with their names and wanted to stay anonymous. When I read Chinmayi's posts on what had happened to her and that people were not willing to believe her story, I decided to gather myself, remember exactly what happened to me and email her. I did this only because I did not have a problem coming forward with my name for more credibility. What was your experience with Vairamuthu? Could you explain it? It happened about 14 to 15 years ago when I was about 18 years old and working with Kosmic Studio. My father was transferred to Bengaluru and my mother started looking for a decent working women’s hostel to settle me in. All hostels had a curfew time of 8.30 pm or 9 pm. Then, she found out about Vairamuthu’s hostel in Kodambakkam, Chennai, from newspapers. It had a similar curfew but since Mr Vairamuthu was in the same industry, my mother felt he would understand that I had to work late. She called the hostel and was put through to Mr Vairamuthu. They had a long phone conversation about me and my career. He was apparently keen to know more about me. He wanted to see me and invited me and my parents over. We met him a few days later at his Kodambakkam office, above his residence. He greeted us saying, “Ungal paechil miga naal natpu therindhadhu” (I can sense a longtime friendship in your voice), referring to my mother’s phone conversation. I had taken along my demo CD containing songs that I had composed and programmed. He was so impressed that he said he would love to introduce me to Mr AR Rahman. Our meeting lasted for 20 to 30 minutes. He took my number and said he would keep in touch. Fortunately or unfortunately, he could not do anything about relaxing the hostel’s curfew just for me, as the other residents might have objected. I moved into a family friend’s home instead. A week later, after my parents had moved to Bengaluru, Mr Vairamuthu called me, asking me to come over to Rahman’s studio that evening as he had some work with him. I was excited but also a little nervous. I took my aunt, who was my local guardian, along with me. The meeting with Rahman sir was brief. Mr Vairamuthu called me again the following day and told me how impressed Mr Rahman had been with me. A few weeks later, he started calling me frequently, asking how I was doing. He would ask about my work and tell, “Let’s meet sometime”. I would say “sure” and end the call. Then his calls became desperate. I would only answer out of respect for the man. Once, he said, “When do we meet? I miss you. I have written poems about you, please come and meet me at my Besant Nagar office.” I felt awkward. I hung up the phone saying I had to get back to work. His next call was even more desperate. He said he was falling in love with me, that he was constantly thinking about me. That is when I said, “Sir you are like my father. I have great respect for you. Please do not say such things. I feel very awkward.” He persisted to convince me to meet him, but I always threw some random excuses. Once, I even handed my phone to a male colleague and told him to tell the “caller” I was busy with a recording. After a few more calls from him, I finally answered – not willingly but out of respect. He was upset that someone else had answered my phone and said I should never give my phone to anyone. He apologised for the things he had said but still called me to his Teynampet office, saying he had a new project to discuss with me. “Let’s see sir, I am busy with our sessions at the studio,” I said. Around the same time, I heard from an acquaintance at Sun Network (I cannot name her since we are not in touch) that Vairamuthu had met her at work, taken her number and started calling her. She complained to Sun TV’s then deputy managing director, after which Vairamuthu stopped calling her. I stopped taking his calls since then. Did it frighten you and did you feel helpless as he was a celebrity? Why would I be frightened? It was not like he was threatening me. He was only on the other side of the phone line, trying his luck with me. I never got to see him in person and I avoided him. I warned all my women friends about it. When you read people criticising and pointing fingers at Chinmayi, what do you feel? She is already under so much stress that she has to read tonnes of stories, edit their names out and post them. I feel terribly bad for her that she also has to fight against all the people who don’t believe her and call her a liar. People foolishly ask her for proof while nobody wants to ask the accused for a proof of their innocence. They blindly want to believe the revered artistes just because they achieved fame over the years whereas they don’t want to believe someone young. Additionally, I find Mr Vairamuthu disgraceful for being a weak person as he calls #MeToo a new fashion as an excuse. 'He wanted me to go to Malaysia with him'  Another singer and anchor with a popular Tamil TV channel who came forward to TNM anonymously says that her experience with Vairamuthu has left her traumatized for life. Ananya* entered the industry around 1998- 1999 at the age of 25, having returned from the US with hopes of becoming a singer. She says she first encountered Vairamuthu at a singing opportunity for Trichy Sarathas Silks, a brand the lyricist was promoting at the time. While Vairamuthu was all praise for Ananya’s Tamil diction, he reportedly asked her to come to his office(then in Trustpuram) for a singing session. “I gave a demo at the office. Nothing happened since many people were present. Then I started receiving calls from him everyday. At first, they were harmless. He said he would get me an opportunity to sing for Rahman since I’m talented. I didn’t take it seriously since I never asked for a chance. Then one day he told me that he is going to Malaysia to receive an award from the Tamil sangam.” “I remember every word he said," she tells us. Ananya says that Vairamuthu asked her if she would accompany him to Malaysia. To this, she asked, “For anchoring or singing?” Vairamuthu reportedly said, “Not for either. Do you not understand? These things are common in the industry. Pattum padama nadandhukanum (you have to act like this is casual).” When Ananya refused, she knew the consequences. She knew her dreams of becoming a singer would be crushed. “He called a week later and asked, I’m asking one last time, shall I book ticket or not? I said no. Then he said I will close every door for you. I said, go ahead. You can do only that. I have studied. I will do some job and survive,” she recounts. The 45-year-old says although she would now be able to handle such situations better and know what to say, she has developed a mental block towards singing. Once her passion, she is now only able to perform in front of family and close friends. “I haven't even had the courage to pursue playback singing since then. When I read everything on social media, it triggered some very unpleasant things that have been at the back of my mind. I saw so many people judging Chinmayi since she is from the industry. Had this happened to one of their family members, they would not have said this. I decided I wanted to help,” she says.

Air India Trichy-Dubai plane which hit wall may have overshot runway before takeoff

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Accident
The Boeing B737-800 plane had damaged its undercarriage after hitting the ATC wall in the Trichy airport on Friday.
The Dubai-bound Air India Express Boeing plane seems to have overshot the normal take-off point as tyre marks have been found between the end of the runway and the compound wall of the Trichy airport in Tamil Nadu, officials said on Sunday. The airport officials also said that the accident investigation team was expected to reach on Monday. Speaking to IANS on the condition of anonymity, an official said: "Tyre marks were found between the normal takeoff point and the compound wall. The plane took-off somewhere towards the end of the runway." Trichy airport runway is about 8,200 feet long. On the morning October 12, the Air India Express flight with 136 people on board had a miraculous escape when the aircraft's wheels scraped the airport's outer wall during take-off in Trichy, damaging the wall as well as the plane's undercarriage."The aircraft hit the airport's instrument landing systems (ILS) and then the compound wall," Trichy Airport Director K. Gunasekaran had told IANS on Friday. Aviation experts told IANS that all the 136 people on board have to thank their stars for escaping alive. According to airport officials, the climate was normal on Friday at the time when the plane started its journey at about 1.20 a.m. The pilots, unaware of the accident, continued to fly until the airport staff alerted them. The plane was then diverted to Mumbai and landed there four hours later around 5.40 a.m."We informed the pilot about the mishap," Gunasekaran had said. "The pilot said nothing was wrong with the plane as the systems were functioning normally. But we found some parts of the plane like an antenna on the ground." An experienced flight navigator who sought anonymity told IANS: "On the runway there are markings including the lift-off mark. By the time the aircraft reaches that mark, it would have gained the necessary speed and power to take off safely."By the time the plane crosses the compound wall, it would have gained about a height of 300-500 feet." Also Read:  Air India Express plane has miraculous escape after grazing wall

Swine flu in Tamil Nadu: 4 suspected to have contracted virus in Tirunelveli

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Swine Flu
Out of the 4 members of the family, one reportedly tested positive for H1N1 as per reports of a private lab. It has been sent for reconfirmation.
Four members of a family, including a doctor duo working at the Tirunelveli Medical College Hospital, are suspected to have contracted the H1N1 virus and are currently being treated in the isolation ward of the same hospital since Friday. Out of the four, one of them has been tested positive for the swine flu virus as per reports by a private lab. Blood sample reports of the other three members are being awaited, according to the Hindu. Dr Kalyanakumar, who works at the Tirunelveli Medical College Hospital, was tested positive for H1N1 as per blood test reports that were taken after his fever refused to subside. He admitted himself to the isolation ward of the hospital since Friday and has been undergoing treatment. His wife who also works at TVMCH. His mother and 91-year-old grandfather also were also admitted to the hospital as they also had fever and cough. The blood sample which tested positive for H1N1 has been sent for reconfirmation to King Institute (Chennai). The four are reportedly stable and the hospital began treatment, the doctor said. Meanwhile, fumigation of Dr Kalyankumar’s house and that of his close relatives (who visited him when he had a fever) has been undertaken by public health officials. The officials said that tablets have been given to all those who visited the said house, and they have been instructed not to go out for 10 days. “We have instructed all the regional joint directors and district deputy directors of the health and family welfare department to monitor the issue. As of now, there are only four cases admitted in the Tirunelveli government medical college hospital,” TN Health Minister C Vijayabaskar told mediapersons. In the neighbouring state of Karnataka, one more person succumbed to the virus, raising the death toll to 6 in the state. In Bengaluru alone, 177 cases of swine flu have been confirmed till October 14. Also Read: Swine Flu: One more succumbs to the deadly virus, taking death toll to 6 in Karnataka
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